Si se le preguntara a la santero lo que pasa , él le diría que el santo ha desplazado el alma del adorador y ocupado su cuerpo, para poder comunicarse con los hombres en la tierra. El santo, que le diría, es de espíritu y el espacio y carece de los atributos fileísicos de un ser humano …
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, at 10pm at nighttime, to then continue to dance to “Tu amor es un periódico de ayer” is not really, what I consider a sensational mix, but my respects check out individuals that challenge their unique rhythms of digestion.
Alternatively towards the Seems of Willie Colon’s “Chica Plástica” you see Cali design dancers, preferring an aerobic method of salsa dancing, regularly twirling, relocating in and out from the perfectly-acknowledged Cali “vueltas”, jumping a little bit to each side move, making use of their hands like maracas when dancing separately, showcasing what flows by means of their blood.
For this reason some rhythms under no circumstances contact Unless of course you are within a spiritual context or offend the orisha. These rhythms are really prayers to the Orishas, having Just about every orisha its very own rhythms associated with them.
si no puedes llegar al legendario Juanchito «al otro lado del río Cali», epicentro de la salsa de estrellas. ¿Por qué no intentar aprender algunos pasos clave en Quiebra Canto?
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This is not imposed on folks, nor is it anything demonic as is the case with flicks like “The Exorcist”. If someone isn’t Completely ready, the orisha is delicately deterred away until finally the individual is initiated and geared up for this sort of celebration.
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Now the saint dances frenetically to your conquer from the drums which incite him to even more frenzied motion.
Esto no se le impone read more a las personas, ni tampoco es algo demoníaco como en el caso de películas como “El Exorcista”. Si alguien no está listo, el orisha es delicadamente disuadido a alejarse hasta que la persona es iniciada y preparada para semejante ocasión.
This is certainly definitely the case at El Bembé, since the band plays, Oscar de Leon’s “Llorarás y Llorarás” you see Fred and Ginger like couples theatrically strutting from one aspect of your dance floor to another, flaunting extravagant fox trot footwork, twirling and swaying. We sit nervously observing each and every go, sipping our mojitos, should really the criollo